NEWSLETTER #146
Blues & Gospel
Carey & Lurrie Bell
->
Big Pete Pearson +
Calendar, Books & DVDS
CAREY & LURRIE BELL |
Delmark DVD 1791 |
Gettin' Up - Live |
● DVD $22.98 |
Father and son performing live with a band at Buddy Guy's
Legends Club and Rosa's Club in Chicago and just the two of them performing
in Lurrie's home. Includes What My Mama Told Me/ Baby Please Don't Go/
Hard To Leave You Alone/ One Day/ Last Night/ Broke & Hungry/ Short Dress
Woman, etc. Includes an interview and discography.
|
CLARENCE "GATEMOUTH"
BROWN |
Idem 1143 |
In New Orleans |
● DVD $16.98 |
11 tracks, 59 mins, color, stereo, highly recommended
An hour long performance from this brilliantly talented and versatile
performer filmed at a live show at the Maple Leaf Club in New Orleans in
1984. Accompanied by a top notch and empathetic band with a terrific horn
section he performs a selection of songs from throughout his lengthy
career. "Gate" is in great form and appears to really be enjoying himself.
His singing and guitar playing are superb and he brings out his electric
fiddle for five numbers including the jazzy Cajun tune Sunrise Cajun
Style, the bluegrass flavored Six Levels Below Plant Life and
Up Jumped The Devil and the mesmerizing blues instrumental Catfish.
Also includes I Feel Alright Again/ Gate Walks To Board/ Song For Renee/
Frosty/ Pressure Cooker/ Up Jumped The Devil and more. Excellently
filmed with lots of opportunity to marvel at "Gate's" dazzling fretwork and
recorded in fine stereo sound. A master at the top of his game. (FS)
|
SHARRIE
WILLIAMS & THE WISEGUYS |
Crosscut DVD 5002 |
Live At The Bay-Car Blues Festival |
● DVD $22.98 |
8 tracks, 65 minutes (color), excellent
Shot with multiple cameras from a variety of angles, both onstage and off,
the electricity is high for this DVD offering. The set list is the same
(although recorded on different nights) as the CD minus Just You And Me
while How Much Can A Woman Take, a solid slow blues is stretched to
over eleven minutes. Williams has plenty of stage presence in front of a
large and appreciative French gathering and definitely gives the fans what
they want. The flashing stage lights can prove to be a distraction at times
and Lars Kutschke's guitar work goes into over-the-top excess, but it's
still a well-produced video for fans who have yet to see Williams perform
here or abroad (much of her time is spent in Europe). A fine companion to
the CD. (CR)
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CAREY & LURRIE BELL |
Delmark 791 |
Gettin' Up - Live |
● CD $14.98 |
Essentially the same as the DVD less two songs, presumably
for space reasons.
|
BIG GEORGE BROCK |
Cat Head 1004 |
Live At Seventy Five |
● CD $14.98 |
Fine Mississippi singer and harmonica player recorded live
at the Ground Zero Club in Clarksdale, Mississippi a few days before his
75th birthday. A mix of originals and covers - Cut You Loose/
Fourty-Four Blues/ No No Baby/ Bring The Blues Back Home/ Jody, etc.
|
THE ROBERT CRAY BAND |
Nozzle 79815 |
Live From Across The Pond |
● CD $18.98 |
2 CDs, 14 tracks, 89 min., highly recommended
The first
time I saw The Robert Cray Band they were opening for George Thorogood and
the (then) Delaware Destroyers, and even then Cray's talents were obvious.
His guitar work is fiery and lyrical, his singing soulful, and he can
write a decent song as well. In the 1980s Cray did much to popularize the
blues and widen the definition of the term. This live release is taken
from a week of shows TRCB played in May 2006 at the Royal Albert Hall
while opening for Eric Clapton, another important blues popularizer.
Nothing too surprising here, just solid, consistently pleasing blues. The
playlist features a nice mix of older and newer material, including the
classic Bad Influence, Phone Booth, I Was Warned,I
Guess I Showed Her, Right Next Door (Because Of Me), Twenty,
BackDoor Slam, Poor Johnny and more. (JC)
|
GENO
DELAFOSE & FRENCH ROCKIN' BOOGIE |
Times Square 9063 |
Le Cowboy Creole |
● CD $15.98 |
Newest from one of the top Zydeco bands in the country -
Everybody's Having Fun/ Baby, Baby, Baby/ There's No Getting Over Me/
Bee De La Mache/ Gave You My Love/ The Back Door/ Domino/ Somebody Show Me,
etc.
|
DAVID "HONEYBOY"
EDWARDS |
Blue Suit 102 |
White Windows |
● CD $15.98 |
Originally issued on a 1989 LP on Blue Suit and reissued
on CD on Evidence with one bonus track in 1991. This newly remastered
package features three additional bonus cuts including two live
performances from 1987. The venerable Mississippi bluesman is recorded on
a selection of mostly blues standards along with new recordings of songs
he had recorded for ARC and The Library Of Congress. He is featured on
acoustic and electric guitar and harmonica and sides include West
Helena Blues/ Build Myself A cave/ 61 Highway/ Shake 'Em On Down/ The War
Is Over/ Goin' Down Slow/ Been So Long Since I Laughed And Taked With You/
Things I Used To Do, etc. Pleasing performances though not especially
compelling.
|
SLEEPY JOHN ESTES |
Delmark 619 |
On The Chicago Blues Scene |
● CD $14.98 |
13 tracks, very good
Originally issued on LP and CD as
"Electric Sleep" as a dig at Muddy's "Electric Mud" this album has been
remixed and remastered from the original mastertapes and given a new name.
I'm not sure that they should have bothered. Whatever way you look at it
this is a fairly dull album featuring the great country bluesman with a
small electric band with Sunnyland Slim on piano, Jimmy Dawkins on guitar,
Carey Bell on harp and others. Sleepy John has no problem fitting in the
band framework but the band sounds underrehearsed and Sunnyland's piano
and Dawkins' guitar are too busy for John's basic style. It was an
interesting concept which John was all in favor of `and it certainly
doesn't harm John's legacy and with the right musicians and arrangements
might have been a real gem. As it stands it's a flawed experiment. (FS)
SLEEPY JOHN ESTES: Airplane/ Drop Down Mama - Let Your
Papa See/ Easin' Back To Tennessee/ Everybody's Got To Change Sometime/
How To Sing The Blues/ I Ain't Gonna Sell It/ If The River Was Whiskey/
Laura Had A Dream/ May West/ Needmore Has Harmed Many A Man/ Newport
Blues/ Sweet Little Flower/ Walking Down Beale Street
|
SLEEPY JOHN ESTES
WITH YANK RACHELL & OTHERS |
JSP JSPCD 7779 |
Legendary Country Blues Artists |
● CD $28.98 |
4 CDs, 104 tracks, essential
Despite his limitations as a
musician, John Estes produced some of the most memorable pre war blues.
His high, thin voice with its strained, edge of despair quality, and the
rhythms produced as band members like Jab Jones and Yank Rachel tried to
accommodate his strummed guitar, turned simple songs like Milk Cow
Blues and Whatcha Doin? into classics. Lyrically Estes was
adept at making traditional material his own, but most of his songs were
centred on his Brownsville world, encompassing social commentary (Down
South Blues) and personal experience (as in Floating Bridge).
(His fondness for beginning lines with "Now" can though become a little
wearing.) After covering Estes' pre war work disc two closes with two
bonus tracks from 1947 not issued on Document, including the
autobiographical Stone Blind. Estes' early sessions were greatly
enhanced by Yank Rachel's mandolin, as in the lovely opening to
Expressman Blues, and it is fitting that the third disc features
Rachel's solo career.
Yank was a less interesting vocalist than Estes but
a better musician, at his best on tracks like the beautiful Lake
Michigan Blues. (Compared to the earlier reissue of his work on Wolf
this disc omits Rachel's accompaniments to "Jackson" Joe Williams and
Elijah Jones, but these tracks are reissued on JSP 7797, Sonny Boy
Williamson Volume 1). The final disc starts with Rachel's
last four titles and is then dedicated to Estes' associates "Brownsville"
Son Bonds and Charlie Pickett, replicating the tracks on Wolf WBCD 003. It
is a mixed bag, the blues and uptempo party songs separated by a gospel
session with some nice jug, but there is plenty to enjoy. Highlights
include Weary Worried Blues with its soundbite philosophy "once
ain't for ever, and two times ain't but twice" accompanied by Hammie
Nixon's honking harmonica, and Charlie Pickett's tremulous Down The
Highway, which surely inspired the young Bob Dylan's song of the same
title. Sound quality of the first two discs is excellent, with at least
some of the transfers sounding like the work of the great John R T Davies.
The sound of the third and fourth discs cannot match what has gone before
but is generally still good, and a significant advance on previous
reissues. All round this set represents a worthwhile upgrade for
established collectors and a real treat for those new to the music. Neal
Slaven's comprehensive biographical notes complete a reissue which is
close to definitive. (DPR)
|
FILLMORE SLIM |
Mountain Top 777 |
The Legend Of Fillmore Slim |
● CD $12.98 |
14 tracks, recommended Fillmore Slim started his career as
a blues singer in the early/ mid 50s but subsequently turned to the more
lucrative career of pimping and became one of the leading pimps in San
Francisco, a career he followed for some forty years until the Federal
Government stepped in and Slim ended up in jail on tax evasion. His
legendary career was featured in the 1999 documentary "American Pimp."
After leaving jail he returned to blues singing and this is the second
full CD under his own name. He sings a selection of original songs, some
drawing on his life on the street accompanied by a group of local
musicians including Paris Slim, Rick Estrin, Bobby Webb and others plus
Joe Louis Walker guesting on guitar on a number of songs. His son Frank
Sticks provides a rap vocal on Slims commentary on gun violence Hey
Little Brothers (FS)
|
THE FIVE
BLIND BOYS OF MISSISSIPPI |
Shout 34 |
Something To Shout About ... From The
Golden Age Of Gos |
● CD $17.98 |
23 tracks, 66 mins, essential
Two classic albums
("Precious Memories" - Peacock 102 and "Father I Stretch My Hands To Thee"
- Peacock 113) by one of the greatest of all gospel groups combined on
this CD. "Precious Memories" was issued in 1959 as tribute to the group's
recently deceased lead singer Archie Brownlee. Brownlee was one of the
greatest if not THE greatest hard gospel quartet singer - an utterly
superb vocalist with a high, emotion drenched style who could wail to
bring the church down but whose versatile pipes could articulate the whole
range of human emotions. The four tracks from the January 1959 sessions,
Brownlee's last for Peacock, have such an intensity that it's likely to
leave you drained by the time you finish listened. After Brownlee's death
the group underwent some personal changes and lead roles were handled by
Henry Johnson, a superb tenor singer - not in Brownlee's league but
certainly the equal of many of the other quartet leaders out there. Their
1964 session here featured 11 fine performances with the standouts being
Time Is Winding Up/ Oh Why and, particularly, Father I Stretch
My hands To Thee with Johnson switching between preaching and singing
with an intensity that rivals Brownlee. Includes 12 page booklet. (FS)
|
JIMMY "DUCK" HOLMES |
Broke & Hungry 13004 |
Done Got Tired Of Tryin' |
● CD $14.98 |
10 tracks, 51 minutes, highly recommended
Following on the
heels of the highly-acclaimed CD from 2006 ("Back To Bentonia" - $14.98),
Jimmy "Duck" Holmes returns with another disc bound to satisfy. If you
thought blues records weren't this pure and down-home these days, you're
mistaken. Recorded at the Blue Front Cafe (Bentonia's longest-running juke
joint) over two sessions, Holmes is little more than a bluesman and
gentleman, and a gifted one at that. With Lightnin' Malcolm on drums for a
few and Bud Spires adding harp to Catfish Blues, "Duck" delivers
Junior Parker's ]Train I Ride and Skip's Cherry Ball along
with his own Biscuit Roller/ Pencil And Paper/ Could've Been Married
and the rollicking instrumental, Blue Front Breakdown. Jimmy's
timing is wonderfully archaic and his voice flat-out convinces anyone that
he's the real deal - without doubt. Buy all four discs on the Broke &
Hungry label - you'll thank me later. (CR)
|
RICK HOLMSTROM |
M.C. Records 57 |
Late In The Night |
● CD $15.98 |
13 tracks, 49 minutes, excellent
Depending on whether you
liked Rick Holmstrom's last effort or not might factor into how you
receive his newest offering... I've been called a master of the obvious
before now. The West Coast guitarist pulls out all the stops here with the
frenzied jump of On The Vine, the slow and moody In The Night,
the rocking I'm Leaving and the brilliant and atmospheric Tutwiler
(which borders on Santana territory) for a varied mix of vocal and
instrumental tracks. As expected with Holmstrom's bizarre sense of humor,
you also get the wacky [Wham-O and Peculiar Hop plus an
interesting take on Bob Dylan's Rainy Day Women # 12 & 35 plus the
traditional Dig Myself A Hole. With Jeff Turmes and Stephen Hodges
in support, Rick Holmstrom's "Late In The Night" disc is a gritty and
varied (and sometimes downright odd) blues outing minus the knob twiddling
and sampling of his last. (CR)
|
ELMORE JAMES |
Ace ABOXCD 4 |
The Classic Early Recordings |
● CD $35.98 |
3 CD set, 71 tracks, 3 hrs 12 mins, essential
Back in
print but without the handsome box. I consider that Elmore James was one
of the greatest bluesmen to ever record - a powerful and intense singer
and a masterful guitarist. His slide guitar techniques were to inspire and
influence a generation of blues guitarists though none had the skill,
sensitivity or imagination Elmore brought to the instrument. His early
death in 1963 at the age of 45 robbed the world of a major talent. This
beautiful package culminates years of combing the Modern/ Flair/ Meteor
vaults. Because the owners of the labels had little sense of history there
is much Elmore material that is probably lost forever but this set
presents every available recording he made for these labels between 1952
and '56 including up to six takes of some songs. The alternates are
sometimes very different and sometimes very close but with enough lyric
differences to make them essential for the devoted Elmore fan. The set
opens with his very first recording of Dust My Broom for Trumpet in
1951 where he first introduced his "broomdusting" riff that he used on
many of recordings and has subsequently appeared on probably thousands of
other blues recordings. Elmore was much more than a one riff man as the
spacey guitar playing on Hand In hand or the raucous instrumental
Hawaiian Boogie shows. He was also a fine guitarist without the
slide as many tracks here show. The sessions here were recorded in a
number of locations including Elmore's home town of Canton, Missississpii,
Chicago, Los Angeles and New Orleans with different sidemen including Ike
Turner, Johnny Jones, J.T. Brown, Ranson Knowling, Maxwell Davis, Eddie
Taylor, Earl Palmer and others. In addition to the recordings under his
own numbers it also features accompaniments to fellow band members J.T.
Brown and Johnny Jones. The 71 tracks have been digitally remastered by
Bob Jones and have never sounded better. The 40 page booklet features
notes by the sets compiler Ray Topping who has unearthed new information
about the somewhat enigmatic Elmore, terrific photos, pictures of labels,
ads, discography and more. Did I say this was essential? (FS)
BEP BROWN ORCHESTRA: Dumb Woman Blues/ Round House
Boogie (Aka Sax Symphonic Boogie)/ ELMORE JAMES: 1839 Blues/ Baby What's
Wrong/ Blues Before Sunrise/ Can't Stop Lovin'/ Canton Mississippi
Breakdown (Instrumental)/ Dark And Dreary (Take 1)/ Dark And Dreary (Take
2)/ Dark And Dreary (Take 4)/ Dust My Blues/ Dust My Broom/ Early In The
Morning/ Elmo's Shuffle (Take 3)/ Elmo's Shuffle (Take 4)/ Elmo's Shuffle
(Take 5)/ Good Bye (Baby)/ Hand In Hand/ Happy Home/ Hawaiian Boogie (Take
1)/ Hawaiian Boogie (Take 2)/ I Believe/ I Got A Strange Baby (False Start
& Chat)/ I Held My Baby Last Night/ I Was A Fool/ Kicking The Blues Around
(Aka Flaming Blues - featuring J.T. Brown)/ Late Hours At Midnight/ Long
Tall Woman/ Long Tall Woman/ Long Tall Woman/ Lost Woman Blues (Aka Please
Find My Bay - Version 3)/ Make A Little Love/ Make My Dreams Come True
(Take 2)/ Make My Dreams Come True (Take 3)/ Make My Dreams Come True
(Take 4)/ Make My Dreams Come True (Take 7)/ My Baby's Gone/ My Best
Friend (Take 1)/ No Love In My Heart/ One More Drink (Take 1)/ One More
Drink (Take 2)/ Please Come Back To Me (Sho' Nuff I Do)/ Please Find My
Baby (Take 1)/ Please Find My Baby (Take 2)/ Quarter Past Nine/ Rock My
Baby Right/ Sax-Ony Boogie (Inst. featuring J.T. Brown)/ Sho' Nuff I Do/
Sho' Nuff I Do (Alternate Take)/ Sho' Nuff I Do (Session Talk & False
Start)/ Sinful Woman/ So Mean To Me (Take 2)/ So Mean To Me (Take 3)/ So
Mean To Me (Take 4)/ Standing At The Crossroads/ Strange Kinda Feeling
(Take 1)/ Strange Kinda Feeling (Take 2)/ Strange Kinda Feeling (Take 3)/
Strange Kinda Feeling (Take 4)/ Strange Kinda Feeling (Take 5)/ Strange
Kinda Feeling (Take 6)/ Sunny Land/ The Way You Treat Me (Aka Mean And
Evil)/ Where Can My Baby Be (Take 1)/ Where Can My Baby Be (Take 8)/ Where
Can My Baby Be (Take 9)/ Wild About You/ Wild About You (Baby)/ Wild About
You Baby (Chat & False Start)/ LITTLE JOHNNY JONES & THE HOUND DOGS: I May
Be Wrong/ Sweet Little Woman
|
CARLOS JOHNSON/
LEFTY DIZZ |
Wolf 120.814 |
The Healer |
● CD $16.98 |
15 tracks, recommended
Two left handed Chicago singer/
guitarists recorded in Argentina. The six tracks by up-and-comer Carlos
Johnson are outtakes from a 2000 session for his first album for Argentinian label Blues Special. A nice blend of originals along with some
covers. The nine sides by Dizz are from 1992 just a few months before his
premature death where he is accompanied by a small group - some tracks
sound like they were recorded live. Though not as sophisticated a musician
as Johnson (he was an influence on the younger man) his performances are
more intense and exciting. His songs include Woke Up This Morning/
Chips Flying Everywhere/ Caldonia/ Sure Had A Wonderful Time/ I Found Out,
etc. (FS)
|
CANDYE KANE |
RUF 1127 |
Guitar'd And Feathered |
● CD $16.98 |
13 tracks, 37 minutes, excellent
Like it or not, her album
covers aren't likely to garner any awards for their artistic integrity
but Candye Kane does offer some good and listenable blues. While this
project does fall into the dismally short category with its
woeful 37-minute spin time, it's hard to go wrong with Candye's heartfelt
vocal delivery and a cast including Junior Watson, Bob Margolin, Ana
Popovic, Sue Foley, Kid Ramos and Bob Brozman on guitars. Add more help in
the form of Thomas Yearsley (the Paladins) or Bill Stuve (ex-Mighty
Flyer) in the bass department plus Evan Caleb's in-the-pocket drumming and
it's a winner. Guitar Slim's Done Got Over It gets a fine reading
and Kane dedicates I'm My Own Worst Enemy to her numerous friends
and few adversaries on the Blues-List. While heavy on the guitar slingers
this is not an over-the-top guitar shootout, it's nicely done with a hefty
dose of good times.(CR)
|
E.G. KIGHT |
Blue South 606 |
EG Live And Naked |
● CD $15.98 |
17 tracks, 47 min., highly recommended
"Naked" apparently
refers to the fact that this live album finds the Georgia Songbird alone
with an acoustic guitar rather than to any notable absence of clothing,
but I wasn't there. Six of the 17 tracks are Kight's stage patter, which
is relaxed and fairly charming, revealing a Georgia accent three feet
thick. Kight is an accomplished guitarist and a singer of remarkable
stylistic range. How many people can sing Stormy Weather, At
Last, and What A Wonderful World, and sound absolutely at home
and still pull off Mama He Treats Your Daughter Mean, Son Of A
Preacher Man, and Johnny Cash's Folsom Prison Blues , making it
all seem as natural and easy as walking into a room? Although at heart,
Kight bleeds blue, this sharp live set recorded at Jeremiah's in
Williamsport, PA, in 2005 offers a number of different hues. (JC)
|
ALBERT KING |
Stax 30296 |
The Very Best Of Albert King |
● CD $11.98 |
20 tracks, 66 mins, highly recommended
Easily one of the
biggest names in electric blues guitar, the late, great Albert King has
influenced countless other six-stringers; Eric Clapton, Michael
Bloomfield, Peter Green, and Stevie Ray Vaughan, to name a few. His
recordings for the Stax label are treasured by many for their sheer power
as well as the trademark razor-sharp guitar tone that King achieved from
his Gibson Flying V, played upside-down (left-handed). The famed Stax
house band is on board, making for powerhouse performances. Musically,
some tracks lean towards a Rock, R&B, or Funk style, but Albert has no
problem fitting in. As with other Stax reissues, informative liner notes
and excellent sound quality make this CD from an iconic bluesman a
must-have. (BC)
ALBERT KING: (i Love) Lucy/ Angel Of Mercy/ Blues Power/
Born Under A Bad Sign/ Breaking Up Somebody's Home/ Can't You See What
You're Doing To Me/ Cold Feet/ Crosscut Saw/ Crosscut Saw/ Drowning On Dry
Land/ Everybody Wants To Go To Heaven/ Flat Tire/ I'll Play The Blues For
You, Pt. 1/ Laundromat Blues/ Oh, Pretty Woman/ Playing On Me/ That's What
The Blues Is All About/ Tupelo, Pt.1/ Water/ Wrapped Up In Love Again
|
B.B. KING |
Ace CDCHD 1151 |
Best Of The Blues Guitar King, 1951-1966 |
● CD $10.98 |
Budget priced introduction to the classic RPM and Kent
recording of one of the most important bluesmen of the 20th Century
with 18
classic tracks.
B.B. KING: 3 O'Clock Blues/ Blue Shadows/ Catfish Blues
aka Fishin' After Me/ Confessin' The Blues/ Days of Old/ Every Day I Have
the Blues/ Eyesight to the Blind/ Five Long Years/ I Need You So Bad/ I'll
Survive/ Please Love Me/ Rock Me Baby/ Sugar Mama/ Sweet Little Angel/
Sweet Sixteen PT 1/ Ten Long Years/ When My Heart Beats Like a Hammer/ You
Upset Me Baby
|
SMILEY LEWIS |
Rev-Ola CRBAND 24 |
Mama Don't Like It, 1950-1956 |
● CD $15.98 |
33 Tracks, 77 mins, essential
Smiley Lewis was one the
great unsung talents of the 50's who never got his due in his relatively
brief lifetime, but has come to be revered in the ensuing decades. The
sides he cut for Imperial during the 50s, under the direction of Dave
Bartholomew, are as seminal as anything recorded by Fats Domino or Little
Richard. Until now, the gold standard for Lewis compilations has been
Collectables' "The Best Of Smiley Lewis: I Hear You Knocking," but this
collection from Rev-Ola has become the new benchmark; with its' whopping
33 tracks, this set has almost everything the Collectables one does (with
the exception of Come On) and more. His entire Imperial discography
is represented, including all the "hits" he should have had (that others
did) I Hear You Knocking/ One Night, and Blue Monday, as
well as classic numbers like The Bells Are Ringing/ I Ain't Gonna Do It,
and Big Mamou. The detailed liner notes, attractive packaging, and
crisp sound are enough reason to purchase this CD, but the clincher is the
inclusion of the re-cut version of Shame, Shame, Shame that was
used in the 1956 movie "Baby Doll." All in all, a must-own for anyone who
loves down-n-dirty R&B. (GMC)
|
BIG PETE PEARSON |
Blue Witch 102 |
I'm Here Baby |
● CD $15.98 |
12 tracks, 53 min., recommended
Pearson's follow up to his
2001 Blue Witch release, "One More Drink", finds him pouring out more
traditional blues, this time with a host of guest talent. Although Pearson
has been shouting the blues for 50 years, his recording career has not
exactly caught fire. Here, Ike Turner, Kid Ramos, and W.C. Clark add their
guitars at various points to good effect. Such songs as Too Many
Drivers, Natural Ball, My Baby Is A Jockey and others
betray a blues sensibility firmly rooted in the past. He's got his name
"Big Pete" embroidered on his cuffs too, although perhaps he's just
starting his own line of clothing. A sure-throated, blues-shouting
throwback worth hearing. (JC)
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