JAZZ,
DANCE BANDS, VOCALISTS
Count Basie
COUNT BASIE |
Circle 60 |
1944 |
● CD $15.98 |
And his orchestra. Includes Thelma Carpenter, Lester Young,
Jimmy Powell and more
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COUNT BASIE |
Circle 130 |
1944 & 1945 |
● CD $15.98 |
This is the companion LP to Circle 60, the first volume of
the 1944 Lang-Worth Transcriptions ( a third volume will be released at a
future date.) Basie was under contract to Columbia at the time but hadn't
recorded since 1942 due to the Petrillo ban. The legendary lineup, which
can be seen in action in the cover photo includes Lester Young (back from
a brief stint on his own) as well as Harry Edison (t), Buddy Tate (ts),
Freddie Green (g), Dickie Wells (d), etc. Tush/ 9:20 Special/ Rockin' The
Blues/ Wiggle Woogie , etc. (AE)
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COUNT BASIE |
Decca Jazz GRD 611 |
The Complete Decca Recordings, 1937-1939 |
● CD $39.98 |
This is it, folks - the window-rattling Basie band captured
in their heyday, and reissued the right way; complete, in chronological
order, with thorough notes and good photos. No one needs convincing that
this was one of the greatest bands ever, right up there with Ellington and
Henderson, distinguished by their swinging supremecy and blues-based
riffing style. This band played almost every night, and even the earliest
solos by Basie, tenor saxophonists Lester Young and Herschel Evans, and
trumpeters Harry "Sweets" Edison and Buck Clayton are
road-tested pleasers. The charismatic vocals by blues legend Jimmy Rushing
are uniformly great, even on the occasional sappy lyric. His singing on Good
Morning Blues/ Blues in The Dark/ Do You Wanna Jump, Children/ Evil Blues
made these classic sides. Helen Humes joined in late 1938, and graces 5
songs, including Blame It On My Last Affair/ My Heart Belongs To Daddy.
If you want hits, you can't beat One O'Clock Jump/ Jumpin' At The
Woodside/ Sent For You Yesterday, but this set is a motherlode of
jitterbugging jewels like Roseland Shuffle/ Topsy/ Every Tub/ Swingin'
The Blues/ Lady Be Good/ Shorty George/ Panassie Stomp and more. 63
tracks on 3 CD's, with a handful of alternate takes, and clear remastered
sound. A must for any swing fanatic. (MB)
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COUNT BASIE |
Neatwork 2062 |
The Alternative Takes, Vol. 5: 1945-46 |
● CD $15.98 |
26 tracks, 74 min, essential
There's 26 tracks, but only 11
tunes as this shows the Basie band working on their tracks, done for
Columbia with a 10/45 session & four sessions from '46. Band at this time
had the mighty trumpet section of Emmett Berry, Snooky Young & Sweets
Edison, an even mightier sax section with such future R&B greats as Preston
Love, Buddy Tate, & Illinois Jacquet, a four piece trombone section able to
include both Dicky Wells (in the '45 session only) & JJ Johnson, & of course
the All American Rhythm Section of Basie, Green, Page & Jones, though on the
earlier sessions there's Rodney Richardson on bass & Shadow Wilson on drums.
Jimmy Rushing on vocals & arrangements by Buster Harding. Not Basie's
biggest hits here, but with this team, anything they play is great! There's
multiple (2 to 3) versions of everything here, including Queer Street/
The Mad Boogie/ Rambo & Mutton Leg. (GM)
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COUNT BASIE |
Original Jazz Classics 600 |
Kansas City 3 - For The Second Time |
● CD $12.98 |
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COUNT BASIE |
Original Jazz Classics 631 |
Basie Jam 2 |
● CD $12.98 |
|
COUNT BASIE |
Original Jazz Classics 687 |
Basie Jam 3 |
● CD $12.98 |
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COUNT BASIE |
Original Jazz Classics 690 |
Kansas City Vol. 7 |
● CD $12.98 |
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COUNT BASIE |
Original Jazz Classics 732 |
Farmers Market Barbecue |
● CD $12.98 |
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COUNT BASIE |
Original Jazz Classics 808 |
88 Basie Street |
● CD $12.98 |
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COUNT BASIE |
Verve 833 776-2 |
At Newport |
● CD $10.98 |
The swing era had peaked 10 years ago, and Basie had
dissolved his big band shortly afterwards. Now in 1957 he was back,
headlining the Newport Jazz Festival with a reunited big band and guest
appearances by former employees Lester Young, Jimmy Rushing, Illinois
Jacquet, Joe Williams, Roy Eldridge and Jo Jones. The set is not without
its faults - the most noticeable being the sadly diminished abilities of
Lester Young, and the grainy quality of the recording in general (even
though all the instruments are well balanced). But there are several
standout cuts - the all star jam on One O'Clock Jump, the bluesy
instrumentals Swingin' At Newport and Blee Blop Blues and
four previously unreleased numbers with Joe Williams. The band had lost a
little of the snap it had in the late 30's but, as this historic recording
demonstrates, there was still plenty of life in the incomparably swingin'
Basie sound. (MB)
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COUNT BASIE |
Verve 833 805-2 |
Count Basie In London |
● CD $10.98 |
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