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BLUES & GOSPEL
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BILLY BRANCH EUGENE "HIDEAWAY" BRIDGES CURLEY BRIDGES JOHN BRIM BIG GEORGE BROCK THE BRONZEMEN |
BROOKS, HUNTER, WALKER & CHARLES BIG LEON BROOKS HADDA BROOKS LONNIE BROOKS BIG BILL BROONZY |
BILLY BRANCH & THE S.O.B.'S | Evidence 26049 | Live '82 | ● CD $11.98 |
8 tracks, 53 min., very good Influenced by Sonny Boy (Rice Miller) Williamson & Little Walter (Jacobs), William Earl Branch (b. 1951) is only now coming to the forefront. Recently signed to Polygram Records, Evidence has reissued one of his earliest recordings with The Sons Of The Blues, featuring original member Lurrie Bell (vocals, gtr). (The S.O.B.'s first recordings are available on Alligator's "Living Blues V.3" and "The New Bluebloods" sets). Recorded during the American Folk Blues Festival'82 tour, Billy Branch signs only on one track (Eyesight To The Blind), leaving the rest to J. W. Williams (Sweet Little Angel) and Lurrie Bell. As a bonus, Evidence has added Lurrie's version of Sir Mack Rice's Cadillac Assembly Line, wrongly labeled on the CD as Detroit, Michigan - a title originally recorded in 1976 by Albert King (for Utopia Records). Also, as an extra bonus, we have a Carey Bell feature (Goin' On Main Street) which (I believe) does not feature Billy Branch. ( |
BILLY BRANCH & THE S.O.B.'S | Evidence 2606 | Where's My Money? | ● CD $11.98 |
CURLEY BRIDGES | Electro-Fi 3358 | Keys To The Blues | ● CD $15.98 |
First recording in more than 20 years by vocalist/ piano
player Bridges. |
EUGENE "HIDEAWAY" BRIDGES | Armadillo 0009 | Man Without A Home ... | ● CD $16.98 |
11 tracks, 46 mins, highly recommended. I didn't hear Bridges
first album but this new one is a real winner. A relatively young man from
Louisiana he is triple threat - a high quality singer, songwriter and
guitarist. He has a strong gospel background so it's not too surprising that
voice has some wonderful gsopel inflections. He is a fluid guitarist with a
lyrical fleet fingered style and a strong songwriter. The opening song I
Used To Sing Love Songs and the song that gave the album it's title
Man Without A Country, Man Without A Home are particularly strong. I
also really like the down home flavored You Gonna Miss Me. Bridges is
also a fine soul singer he was influenced by Sam Cooke and does a couple of
Cooke's lesser known titles as well as a couple of soul songs of his own. He
is accompanied by a hard driving group which on several cuts is enhanced by
the addition of an excellent horn section. Bridges has a strong following in
Europe - hopefully this album will give him the attention he deserves on
this side of the pond. (FS) |
EUGENE "HIDEAWAY" BRIDGES | Armadillo 0021 | Coming Home | ● CD $16.98 |
21 tracks, 53 min., very highly recommended A fine singer and an even better songwriter, Bridges has "next-big-thing" written all over him -- too bad so many people can't read. Although Coming Home is Bridges' fourth album (at least), he remains a well-kept secret in the States, adding some weight to his nickname. He spends much of his time playing his way through Europe. Lucky Europe. B.B. King is an obvious point of reference here, but Bridges is too good to be shoved aside as another B.B. wanna be. And Sam Cooke is clearly occupying space in Bridges' head, but not so much in the sound of his voice as in his phrasing, as is clearly heard on the superior In Your Arms Tonight, which is a Bridges original, along with all the other songs. His pen and guitar hit all the right notes as he moves from the straight-ahead blues of I'm Going Back to Giving Up On Love, which despite its subject matter is uplifting and playful, full of radio potential in a Robert Cray "Bad Influence"-like way. Instantly likeable and wears well too. (JC) |
JOHN BRIM & PINETOP PERKINS | Wolf 120.858 | Chicago Blues Session Vol. 12 | ● CD $15.98 |
This album features 4 songs by Brim and 5 from Perkins from
two different 1989 sessions, plus a couple of late 70's tracks from the
Brim family. Brim made some wonderful recordings for various labels in the
50s but at the time of these recordings his voice was pretty shot and he
sound very different to the man who recorded 30 years previously. Band
accompaniments with guitarist John Primer and harmonica player Billy
Branch are solid. The 5 Perkins cuts feature him accompanied by the drums
of Timothy Taylor or Michael Strasse. Nice performances of mostly familiar
songs like High Heel Sneakers and Drivin' Wheel. (FS) |
BIG GEORGE BROCK | Cat Head 1003 | Round Two | ● CD $14.98 |
13 tracks, 45 minutes, recommended Although Big George Brock is no spring chicken at the age of 74, he's still a relative newcomer to recording with "Round Two" being only his second outing, a follow-up to his solid "Club Caravan" disc of last year. This is some serious, down-home juke-joint blues with Brock's throaty harmonica and raspy vocals well to-the-fore with a rocking quartet of guitar, keyboards, bass, and drums assisting. Hubert Sumlin sits in on a pair (Brock's So Long and Willie Dixon's Shake For Me) adding some lowdown six-string, but the hands-down winners are where Brock offers harp with only drum support as on his own tough-as-nails Rockin' Chair and the ragged instrumental Mattson, Miss. And you thought they didn't make records like this anymore. Potent and powerful. (CR) |
BIG GEORGE BROCK | Cat Head 1004 | Live At Seventy Five | ● CD $14.98 |
11 tracks, 57 min., highly recommended Recorded at Ground Zero Blues Club in Clarksdale, Mississippi, in May 2007, Brock's third album offers up more classic-sounding blues in the tradition of Muddy Waters and Howlin' Wolf, whose influence drips from every track. He may be 75 years old, but Brock sounds like pure energy here, thanks in no small part to his intense drummer, Riley Coatie, Jr. (his father is on the guitar). The set is half originals (M Is For Mississippi), half well-chosen covers (Forty-Four Blues, Everything's Gonna Be Alright). Everything sounds gritty and greasy and just a little dangerous, just the way it should; and the album does what good live albums always do: mane you wish you were at the show. Maybe next time around. (JC) |
THE BRONZEMEN | Document DOCD 5501 | Radio Transcriptions, 1939 | ● CD $15.98 |
28 tracks, 65 min., cautiously recommended According to Ken Romanowski's liner notes here, the Bronzemen made no commercial recordings either pre- or post-war. Their surviving musical legacy is contained in these radio transcriptions taken from two 1939 sessions. And, as Romanowski readily admits, that legacy is a rather modest one. For, though the Bronzemen are clearly competent singers, they are harmonically unadventurous, concert-styled singers, who, when compared to other contemporary black jubilee ensembles, are quite tame. Having said that, I still find small doses of their work enjoyable. That work includes versions of Scandalize Ma Name, Deep River, Good News, De Gospel Train, I Couldn't Hear Nobody Pray, Standing in the Need of Prayer, Where Shall I Go, and Dese Bones Gwine Rise Again. (DH) |
BROOKS, HUNTER, WALKER & CHARLES | Alligator 4866 | Lone Star Shootout | ● CD $14.98 |
15 tracks, 62 mins, highly recommended Four veterans of the Gulf Coast blues scene of the 60s and 70s join forces on an exciting collaboration. Lonnie Brooks and Phillip Walker have gained quite a following over the years and Lost John Hunter is gradually building one. Ervin Charles is an unfamiliar name but is somewhat of a legend in the Gulf Coast area and his superb singing and playing on his two songs here shows why - can we have a solo album by him soon please? The others perform in a variety of different configurations - solos, duos and trios and are accompanied by an excellent group. Old songs, new songs but all of them blue songs - Roll, Roll, Roll/ A Little More Time/ Feel Good Doin' Bad/ Street Walking Woman/ You're Playing Hookey/ Quit My baby/ I Met The Blues In Person/ two Trains Running, etc. (FS) |
BIG LEON BROOKS | Earwig 4931 | Let's Go To Town | ● CD $14.98 |
Reissue of 1980 B.O.B. album with Louis Myers, Luther
"Guitar Junior" Johnson, Eddie Taylor, Big Moose Walker and
others. |
HADDA BROOKS | Ace CDCHD 1046 | That's Where I Came In | ● CD $18.98 |
Ace's third album devoted to the talented Ms Brooks features
her vocal interpretations of two dozen pop and R&B standards with mostly
small group accompaniment recorded in 1946 and '47. More than three quarters
of the tracks are previously unissued and many have only been discovered in
recent years. Includes Keep Your Hand On Your Heart/ Why was I Born/ The
Best Things In Life Are Free/ Sailboat In The Moonlight/ Tomorrow Night/ I
Must Have That Man/ This Time We're Through/ Please Be Kind/ Out Of The Blue,
etc. |
HADDA BROOKS | Ace CDCHM 889 | Swingin' The Boogie | ● CD $12.98 |
Another in Ace's budget 10" series this one features 18
tracks by versatile musician recorded for Modern between 1945 and 1950. This
disc is devoted to fine instrumental work - most of it boogie woogie along
with some more straight blues and jazzy numbers. She is mostly accompanied
by just a rhythm section though some tracks feature a larger group. The set
includes five previously unissued tunes or alternate takes. Includes
Swingin' The Boogie/ Lazy Boogie/ Boogie Celeste/ Nightmare Boogie/ Ridin'
The Boogie/ Just A Little Bluesie/ St Louis Blues Boogie/ Boogie Dance/ Chop
Chop, etc. Excellent sound and detailed notes by Tony Rounce. HADDA BROOKS: Blue Mood/ Bluesin' On Central (radio KRE Aircheck 1946)/ Bluesin' The Boogie/ Boogie Celeste/ Boogie Dance/ Bully Wully Boogie/ Bully Wully Stomp Aka Stompin' The Boogie/ Chop Chop Boogie/ Eight-ten Boogie/ Hip Shakin' Boogie/ Just A Little Bluesie/ Lazy Boogie/ Nightmare Boogie/ Rehearsin' The Boogie/ Ridin' The Boogie/ St Louis Blues Boogie/ Swingin' The Boogie/ Teenage Boogie |
LONNIE BROOKS | Alligator 4714 | Bayou Lightnin' | ● CD $15.98 |
With Billy Branch/hca on two cuts - Voodoo Daddy/
Watchdog/ In the Dark/ Alimony, etc. |
LONNIE BROOKS | Alligator 4721 | Turn On The Night | ● CD $15.98 |
Unlike his first Alligator album which featured rhythm
section only this one features horns on several cuts for a richer sound - Eyeballin'/
Teenage Boogie Man/ I'll Take Care Of You, etc |
LONNIE BROOKS | Alligator 4731 | Hot Shot | ● CD $15.98 |
His third, and possibly best, Alligator album, called
"the most ferocious blues album of the year" in the N.Y. Times.
Raw, emotion charged vocals and hard driving guitar from Lonnie and solid
support from his regular road band with Abb Locke guesting on tenor sax.
The songs are new originals or obscure older songs plus a powerful remake
of his 50's swamp pop hit Family Rules. 10 cuts. (FS) |
LONNIE BROOKS | Alligator 4751 | Wound Up Tight | ● CD $15.98 |
Another winner from Lonnie, who also wrote most of the
songs. Johnny Winter lends a hand on Got Lucky Last Night and the
title tune, and Jim Liban guests on harp on Musta Been Dreamin'
& Belly Rubbin' Music. |
LONNIE BROOKS | Alligator 4759 | Live/ Bayou Lightning Strikes | ● CD $15.98 |
LONNIE BROOKS | Alligator 4799 | Satisfaction Guaranteed | ● CD $15.98 |
LONNIE BROOKS | Alligator 4843 | Road House Rules | ● CD $15.98 |
LONNIE BROOKS: Backbone Man/ Before You Go/ Evil Twin/ Get Through To You/ Hoodo She Do/ I Need A Friend/ It's Your World/ One Track Train/ Rockin' Red Rooster/ Roll Of The Tumbling Dice/ Stake My Claim/ Stranger In My House/ Too Little Too Late/ Treat Me Like Your Dog |
LONNIE BROOKS | Alligator 5602 | Deluxe Edition | ● CD $15.98 |
LONNIE BROOKS | Delmark 660 | Let's Talk It Over | ● CD $11.98 |
8 tracks, 43 mins, recommended Nice set of solid Chicago blues recorded in 1977 and previously available only on a very scarce LP. The sessions were supervised by veteran record producer and although conducted in a hurry with little, if any, rehearsal the band sounds good. Lonnie provides 6 originals and does fine versions of the old standbys Reconsider Baby and Hideaway. Good singing and playing from Lonnie and tasteful accompaniments by Bob Levis/rhy gtr, Rob Waters/pno, Harlan Terson/bs and Robert Taylor Layton/ drums. (FS) |
LONNIE BROOKS | Evidence 26001 | Sweet Home Chicago | ● CD $12.98 |
Reissue of Black & Blue 59.554. Louisiana born singer/
guitarist Lonnie Brooks aka Guitar Jr. has been an active musician since
the 50s and is probably best known for a series of powerful contemporary
recordings for Alligator in the last 10 years. The cuts on this album were
recorded in 1975 in France with a band that included Hubert Sumlin, Little
Mac Simmons (hca), Willie Mabon, Dave Myers and Fred Below. The selection
is mostly overly familiar blues standards like Sweet Home Chicago/
Crosscut Saw/ Things I Used To Do/ Big Leg Woman/ Woke Up This Morning
along with a few originals. Good singing and playing but nothing terribly
exciting. (FS) |
BIG BILL BROONZY | Blues Documents BDCD 6047 | Complete Recorded Works, 1945-1947 : Vol 12 | ● CD $15.98 |
BIG BILL BROONZY: Bad Luck Man/ Big Bill's Boogie/ Cell No. 13 Blues/ Doing The Best I Can/ Humble Blues/ I Can Fix It/ I Can't Write/ Just A Dream/ Just Rocking/ Oh Baby/ Old Man Blues/ Partnership Woman/ Please Believe Me/ Rambling Bill/ Roll Them Bones/ San Antonio Blues/ Saturday Evening Blues/ Shoo Blues/ Stop Lying Woman/ Summer Time Blues/ What Can I Do/ When I Get To Thinkin'/ Why Did You Do That To Me/ You Got The Best Go/ You Got To Play Your Hand |
BIG BILL BROONZY | Document DOCD 5130 | Complete Chronological Recordings, Vol. 8 (1938-39) | ● CD $15.98 |
23 tracks, 62 minutes, recommended |
BIG BILL BROONZY | Document DOCD 5131 | Complete Chronological Recordings, Vol. 9 (1939) | ● CD $15.98 |
23 tracks, 65 minutes, recommended BIG BILL BROONZY: Cotton Choppin' Blues/ Don't You Be No Fool/ Don't You Want To Ride/ Down And Lost In Mind/ Dreamy Eyed Baby/ Hot Dog Mama/ I'm Still Your Sweetheart, Baby/ I. C. Blues/ Just A Dream No. 2/ Just Wondering/ Keep On A-smilin'/ Let's Have A Little Fun/ Messed Up In Love/ My Last Goodbye To You/ Oh Yes/ Please Be My So And So/ Ride, Alberta, Ride/ She Never/ Tell Me What I Done/ That's All Right Baby/ Too Many Drivers/ Woodie Woodie/ You Can't Win |
BIG BILL BROONZY | Document DOCD 5132 | Complete Chronological Recordings, Vol. 10 (1940) | ● CD $15.98 |
26 tracks, 74 minutes, recommended BIG BILL BROONZY: Bed Time Blues/ Beedle Um Bum/ Brown Skin Shuffle/ Getting Older Every Day (tk. 1)/ Getting Older Every Day (tk. 2)/ Hit The Right Lick/ I Wonder What's Wrong With Me/ I'll Never Dream Again/ I've Got To Dig You/ Jivin' Mr. Fuller Blues/ Leap Year Blues/ Lone Wolf Blues/ Lonesome Road Blues/ Looking For My Baby/ Looking Up At Down/ Make My Get Away/ Medicine Man Blues/ Merry Go Round Blues (3039)/ Merry-go-round Blues (3309)/ Midnight Steppers/ Mistreatin' Mamma (18384)/ My Gal Is Gone/ Plow Hand Blues/ Selling That Stuff/ Serenade Blues/ Stove Pipe Stomp/ That Number Of Mine/ Too Too Train Blues (18383)/ What Is That She Got?/ When I Have Money/ You Better Cut That Out/ You Got To Hit The Right Lick |
BIG BILL BROONZY | Document DOCD 5133 | Complete Chronological Recordings, Vol. 11 (1940-42) | ● CD $15.98 |
25 tracks, 71 minutes, recommended Document's series of Broonzy's complete prewar recordings concludes with these six volumes of top-drawer country blues. Eleven volumes in all of these elemental tracks may be daunting for all but completists, so those who want just the pick of Broonzy's 1930-1942 recordings are directed toward the domestic compilation BIG BILL BROONZY: All By Myself/ Bad Acting Woman/ Conversation With The Blues/ Double Trouble/ Going Back To My Plow/ Green Grass Blues/ Hard Hearte Woman/ I Feel So Good/ I'm Gonna Move To The Outskirts Of Town/ I'm Having So Much Trouble/ I'm Woke Up Now/ In The Army Now/ Keep Your Hand On Your Heart/ Key To The Highway/ My Little Flower/ Night Watchman Blues/ Rockin' Chair Blues/ She's Gone With The Wind/ Shine On, Shine On/ Sweet Honey Bee/ Tell Me Baby/ Wee Wee Blues/ What's Wrong With Me/ When I Been Drinking/ Why Should I Spend My Money |
BIG BILL BROONZY | JSP JSPCD 7718 | All the Classic Sides, 1928-1937 | ● CD $28.98 |
5 CDs, 127 tracks, highly recommended It is not just that he was in the top rank of pre war guitarists, or that he was a fine singer with a considerable facility as a songwriter - part of Big Bill's genius lay in a unique ability to convey in his work the warmth of his personality. Established as a star of the Chicago scene by the mid 1930s, he filled out his many recording sessions by adapting songs from common stock or other people's hits, but when inspired he could produce performances of breathtaking skill, and songs which were truly memorable and enduring. Among many examples of his best work in this excellent box set are driving, complex rags like Saturday Night Rub and Pig Meat Strut, flatpicking masterpieces such as Mistreatin' Mama and How You Want It Done, superb straight blues like Bull Cow Blues and the stunningly effective Southern Flood Blues, and the rollicking Good Liquor Gonna Carry Me Down. Suffice to say there is plenty here that is hugely enjoyable - we even get a version of C.C.Rider with Big Bill on violin! The present set ends about half way through his pre war output, but JSP are promising two more to complete the series. Aside from the many single disc compilations, all this material has of course been previously reissued on Document, principally on DOCD 5050/51/52, 5126, 5127 and the first four titles of 5128. Compared to the Document series five titles are missing, but as these are an accompaniment to the obscure Steele Smith, two gospel songs attributed to a Broonzy studio group and two by the State Street Boys on which Jazz Gillum takes vocal, the JSP set is stronger without them. In their place JSP have corrected the errors and omissions on the Document CDs (as reflected in Document's "Too Late, Too Late Blues " Volumes 1 and 4, DOCD 5150 and 5321) and added five extra tracks from Bill's work with the Famous Hokum Boys. Again the set benefits as a result, as it does from Neil Slaven's excellent notes. Detailed comparison with the Document reissues shows a significant improvement in sound quality, with noticeably less crackle and hiss. Having said that there is only so much that can be done with badly worn originals without compromising the music, and some titles are still pretty rough. Elsewhere sound is excellent, and when comparing tracks from compilations based on better condition sides, like Columbia's "Good Time Tonight" (Col 467247) the JSP set matches or improves upon the sound quality. In other words, unless a load of mint condition 78s turn up, this reissue is likely to be as good as it gets. With the amount of Big Bill material already issued it is difficult to call this an essential set - so let's just say it's an unmissable bargain. (DPR) |
BIG BILL BROONZY | Smithsonian Folkways 40023 | Sings Folk Songs | ● CD $15.98 |
Reissue of Folkways FA 2328, put together from tapes that
Moe Asch made of Broonzy at various times. This Train/ Martha/ Tell Me
No/ Bill Bailey/ Alberta/ John Henry/ Glory Of Love , etc. |
BIG BILL BROONZY | Smithsonian Folkways 40131 | Trouble In Mind | ● CD $15.98 |
Excellent collection of tracks recorded by this great
bluesman for Moe Asch's Folkways and Disc labels in 1956 and '57 - Hey,
Hey Baby/ Trouble In Mind/ Mule-Ridin' Blues/ Poor Bill Blues/ Ploough-Hand
Blues/ When Things Go Wrong (It Hurts Me Too)/ Saturday Evening Blues/
Southbound Train/ Louise/ Willie Mae Blues, etc. |
BIG BILL BROONZY | Southland SCD 20 | The Historic Concert Recordings | ● CD $13.98 |
A collection of 20 sides recorded live in 1957 by this great
performer. While few details are given I believe that 12 of the songs were
recorded live at a concert in Norttingham, England in March, 1957 with the
remaining 6 tracks recorded in Bill's dressing room after the show. These
tracks feature Bill as the folksy raconteur performing many of ths songs
that were standards of his repertoire at the time - This Train/ Willie
Mae/ Glory Of Love/ What Kind Of Man, Jesus Is/ Nobody's Business If I Do/
The Feasting Table/ Swing Low, Sweet Chariot/ Pallet On The Floor,
etc. Nice enough but if you are looking for some of his hard driving blues
you will need to look elsewhere. Sound quality is excellent. (FS) |
BIG BILL BROONZY | Yazoo 1011 | The Young Big Bill Broonzy | ● CD $16.98 |
A dazzling collection of 14 of Bill's early recordings. Her
is best known for his mid 30s recordings with small groups and his later
more folky renditions for white audiences. However in his early days, his
focus was on ragtime flavored uptempo items with his imaginative guitar excursions
often accompanied on second guitar by Frank Brasswell, John
Thomas and others along with the occasional piano of Tom Dorsey. This is a
straight reissue of the album with no attempt to improve the sound
(though, by no means bad, I think some of the hiss could have been reduced
with contemporary techniques) and the same liner notes. (FS) BIG BILL BROONZY: Banker's Blues/ Brownskin Shuffle/ Eagle Ridin' Papa/ Good Liquor Gonna Carry Me Down/ Hip Shakin' Strut/ Hokum Stomp/ How You Want It Done?/ I Can't Be Satisfied/ Long Tall Mama/ Mississippi River Blues/ Saturday Night Rub/ Skoodle Do Do/ Starvation Blues/ Stove Pipe Stomp |
BIG BILL BROONZY | Yazoo 1035 | Do That Guitar Rag 1928-1935 | ● CD $16.98 |
Mississippi country blues legend William Lee Conley Broonzy
was born in 1893 and died in Chicago (where he lived and recorded for many
years) in 1958. These sides circa 1928-35 are from Oriole and other "dimestore
78 labels" of the time, so some surface noise is inevitable. Fine
minor chord guitar picking and singing. Includes the popular C&A
Blues, the off-color Pussy Cat Blues, Terrible Operation
(with Jane Lucas, voice, and Georgia Tom on piano), plus the mournfully
beautiful Mr. Conductor Man and Big Bill Blues. Fourteen
sides in all, as Yazoo LP. Good layman's notes by Stephen Calt and Woody
Mann. (OLN) |
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