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| ELIZA CARTHY |
Topic TSCD 482 |
Heat Light & Sound |
● CD $15.98 |
12 tracks, 55 mins, essential. It always seemed like too
much to hope that Eliza, whom we met when she was ten, would be that
prodigy that inherited voice and gift from both Mom (Norma Waterson) and
Dad (Martin Carthy) and made of them a new and unique musical self. Well,
eat my shorts, (to quote Frank's and my son Ben): Eliza's done it. This
first solo album is a soaring, glorious triumph that gets some of its
resonance from those good genes but is ablaze with her own genius. Her
fiddle playing frolics around and through her singing, that aches as
sweetly as Cleoma Falcon's. Mostly trad/arr E. Carthy -- bringing heat,
light and sound to Cold Wet & Rainy Night, Blind Fiddler,
Ten Thousand Miles, knockout versions of such splendid chunes as Cumberland
Waltz, a couple of original songs, dynamite arrangements that draw on
the skills of a clutch of musicians with some familiar-sounding last
names, can it be that the folk revival really is being reborn? Eliza's cuz
Olly Knight had a hand in this too. Please god let this spirit grow and
flourish! (NSN)
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| ELIZA CARTHY |
Topic TSDCD 2001 |
Red Rice |
● CD $22.98 |
2 CDs, 24 tracks, 108 mins, essential Two CD set from this
brilliant young English performer who, on the evidence here, is the finest
folk performer to emerge in England in the last few years. One disc is
mostly traditional songs and tunes performed with acoustic arrangements
and features some truly magnificent singing and playing by Eliza and her
accompanying group. It's been a long time since I've heard such a moving
performances as The American's Have Stolen My True Love Away and Benjamin
Bowmaneer - the sort of singing that raises the hairs on the back of
my neck. The other disc is different - a mixture of traditional and
contemporary
songs and tunes with more eclectic arrangements and use of electric and
electronic instruments and varying rhythms. Most of it is very fine but the
disc ends with a couple of bizarre instrumentals with extensive use of
programmed electronic effects which seems to venture into avant gard music
and is lost on me. But there is so much here that I find truly wonderful
that this deserves an essential rating. It'll be interesting to see what
direction Eliza takes in the future. (FS)
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| ELIZA CARTHY |
Topic TSCD 539 |
Anglicana |
● CD $15.98 |
10 tracks, essential Superb new outing from the
incredibly talented Ms Carthy. Except for one tune written as a birthday
present for her father it's all traditional songs and tunes featuring
spellbinding vocals and fiddle playing by her with various other
musicians featured on vocal and/or instrumental backup. Her version of
one of my favorite songs Just As The Tide was Flowing is worth the
price of admission by itself.
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| MARTIN CARTHY |
Topic 300 |
Crown Of Horn |
● CD $15.98 |
11 tracks, 53 mins, highly recommended 1976 classic album
that first appeared on GAMA, now on CD. Martin Carthy is by now the doyen
of the man-with-guitar folk troubadours, long the hardest-working man in
(his part of) show-biz. But because he is the person he is -- as full of
fire and joyous enthusiasm as he is of grand songs and tunes -- his
repertoire is endlessly fresh, as seamless as the humdinger "trad
plus a bit" ballads he's hammered out of his forebears' versions.
This disc is the one that has his knockout
Geordie,
Willie's Lady, and that all-time classic which I'd here and now like to
dedicate to wild wild women everywhere,
Bonny Lass of Anglesey. Martin was at the height of his powers when these
recordings were made, his pure tenor at his purest and his guitar blazing
and drumming like the dancing feet of the above-mentioned Bonny Lass.
Yesss! (NSN)
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| MARTIN CARTHY |
Topic 340 |
Martin Carthy |
● CD $15.98 |
14 tracks, 33 mins, recommended. Martin Carthy is
justifiably one of the most popular, influential and respected figures on
the English folk scene and has been for more than 25 years. A distinctive
singer with an expressive nasal style he also developed a droning,
percussive guitar style immensely suited to accompanying the traditional
songs he specializes in. He is also a consummate researcher into finding
good old songs and always credits his sources. This is a reissue of his
first album, originally issued on Fontana in 1965 and reissued by Topic in
1977. Although yet to develop his distinctive guitar style and his voice
not fully matured this album does not sound dated 28 years after its
original release. On several tracks he is joined by an uncredited Dave
Swarbrick on fiddle or mandolin. There are many fine performances
including his version of Scarborough Fair that inspired the Simon
& Garfunkel hit. It also includes the lovely and sad The Trees They
Do Grow High, the humorous Lovely Joan, the powerful tale of
sex and magic The Two Magicians with some wonderful Swarbrick
fiddle, the grim Ewan MacColl/ Peggy Seeger composition Springhill Mine
Disaster plus High Germany/ Sovay/ The Queen Of Hearts/ The Barley
And The Rye/ The Handsome Cabin Boy, etc. CD sound is excellent and
includes the original notes by Ian Campbell and Carthy. (FS)
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| MARTIN CARTHY |
Topic TSCD 341 |
Second Album |
● CD $15.98 |
13 tracks, 39 mins, essential. Another superb collection of
traditional songs from Britain's finest accompanied on many tracks by Dave
Swarbrick on fiddle or mandolin. Martin's scond album, it was originally
issued by Fontana in 1966 and reissued by Topic in 1977. Martin's voice
and guitar playing had strengthened since his first album as had
Swarbrick's playing. There are some exceptional songs here - including Two
Butchers/ Farewell Nancy, the moving Lord Franklin/ Lowlands Of
Holland/ Box On Her Head Brave Wolfe and my favorite Newlyn Town
which has more energy than most electric bands. Excellent CD sound and
notes on all the songs by Martin. (FS)
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| MARTIN CARTHY |
Topic TSCD 389 |
Because It's There |
● CD $15.98 |
11 tracks, 41 mins., recommended. Though not considered one
of Martin's classics, this 1979 album is still a generous helping of
wonderful Carthy storytelling and solid guitar work. Martin brackets most
of the album between two settings of Gilbert O'Sullivan's thoughtful piece
Nothing Rhymed, nicely unifying the bracketed trad ballads of love,
cruelty, mystic wonder, and sly fun. Then, after tying the rest together,
Martin delivers a stunning, long ballad Death of Young Andrew, to
leave the whole affair with a chilling echo. Mostly it's just Martin's
voice and guitar, though he also steps out on mandolin and has John
Kirkpatrick on squeezeboxes on five tracks and Howard Evans on a touch of
Brass Monkey trumpet for color. You'll want to sit and listen top to
bottom to the carefully paced stories, broken up by a Morris tune or two.
(DC)
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| MARTIN CARTHY |
Topic 426 |
Out Of The Cut |
● CD $15.98 |
10 tracks, 44 mins, recommended First out in 1982, this
Carthy opus features his Brass Monkey pals John Kirkpatrick and Howard
Evans on several tracks and some faraway, ringing Richard Thompson on one,
though the most scorching songs are the ones delivered solo. These are the
British ballads dished up in Carthy's uniquely hypnotic and angular style,
disarmingly direct, with fragmentary chords wrenched from the guitar. Reynard
the Fox and Rufford Park Poachers are prime, nearly perfect
Carthy, while guitarists may tear their hair out trying to learn Molly
Oxford from this recordingan amazing old dance tune. The whole is a
bit slow, subdued, occasionally sedate, with Carthy always clear and in
control. Meditative and haunting, these ballads will stay with you. (DC)
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| MARTIN CARTHY |
Topic TSCD 503 |
Signs Of Life |
● CD $15.98 |
Fabulous new album from this British folk giant. In addition
to the expected traditional songs there some surprising, but very
effective, versions of some songs of more recent vintage including The
Bee-Gees New York Mine Disaster, 1941 and Elvis's Heartbreak
Hotel! Daughter Eliza provides superb fiddle back up on several
tracks.
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| MARTIN CARTHY |
Topic TSCD 750 |
A Collection |
● CD $13.98 |
Wonderful, budget priced, collection featuring 12 songs
drawn from Martin's first six albums recorded for Fontana between 1965 and
1971 - The Trees They Do Grow High/ The Bloody Gardener/ Seven Yellow
Gypsies/ Scarborough Fair/ Davy Lowston/ Polly On The Shore, etc. Dave
Swarbricks lends his fiddle accompaniment on three of the tracks.
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| MARTIN
CARTHY & DAVE SWARBRICK |
Green Linnet GLCD 3052 |
Life And Limb |
● CD $14.98 |
Simply wonderful! Back in the mid/ late 60s the combination
of Martin Carthy's vocals and guitars and Dave Swarbrick's fiddle was a
joyous and unique one of the British folk scene. Although this is their
first recording together in more than 20 years you would never know. The
perform together with an empathy that is almost uncanny. Both performers
have progressed greatly as musicians but their individual egos do not get
in the way and Swarbrick's occasional tendency to get flashy is held in
check here. The songs and tunes, mostly traditional includes new versions
of songs they had recorded before (Sovay/ Byker Hill) with new
arrangements, songs they had not recorded together before (The Begging
Song/ Bows Of London a wonderful reworking of "Two
Sisters" /Oh Dear Oh and others), a Carthy original (A
Question Of Sport) and some gorgeous instrumental sets. Although
recorded live, the sound has a studio quality to it with all the vocal and
instrumental resonances intact. Reunions do not always work but this one
is 100% successful. Highly recommended! (FS)
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| MARTIN
CARTHY & DAVE SWARBRICK |
Green Linnet GLCD 3075 |
Skin And Bone |
● CD $14.98 |
14 tracks, 57 min., essential. Now available domestically.
All lovers of balladry - any kind of balladry - should hear how these two
consummately intuitive masters play off each other as if sharing the same
central nervous system. Nothing remains to be said about Carthy's hypnotic
approach to ballads, how he makes them breathe, how his guitar punctuation
adds unique fire and life to them. And under Swarbrick's fingers the
fiddle cries and exults with the full range of human emotion. The
repertoire on this new release is fascinating - filled with unhappy love,
violence, incest, and surprises. Swarbrick steps out in front for a few
instrumentals, and the two deliver exciting new readings of the racing
classic Skewbald and the slow and stately Clyde's Water. Get
this CD. It doesn't get any better than this. (DC)
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| MARTIN
CARTHY & DAVE SWARBRICK |
Topic TSCD 342 |
Byker Hill |
● CD $15.98 |
Reissue of Carthy & Swarbrick's third album originally
issued on Fontana in 1967 and the album where the talents of these two
remarkable musicians coalesce into a musical oneness. Some of the most
exciting and chilling performances here are those where Martin's vocals
are accompanied only by Swarbrick's fiddle. Such songs as The Fowler/
The Bloody Gardener /Our Captain Cried All Hands achieve a remarkable
intensity with this arrangements. In contrast such risque pieces as Gentleman
Soldier and The Barley Straw all benefit from Swarbrick's
sprightly fiddle. Other songs feature both fiddle and Carthy's guitar
including the title song with it's unusual rhythms and the stunning
version of John Barleycorn. Other songs are performed unaccompanied
or with guitar accompaniment only and all are superb. 13 of the 14 songs
are traditional - the one exception being Bertolt Brecht's moving The
Wife Of the Soldier. Remastering is superb and there are detailed
notes on the songs by Martin and A.L. Lloyd and more general notes on the
album by Ken Hunt. Highly recommended. (FS)
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| MARTIN
CARTHY & DAVE SWARBRICK |
Topic TSCD 343 |
But Two Came By |
● CD $15.98 |
11 tracks, 40 mins, essential. Yes, I know - I'm rating
nearly all these Carthy album reissues as essential but I really do
believe they are! Martin is not only a brilliant performer but he shows
impeccable taste in his choice of songs and arrangements. Once again, on
this 1968 album, he is accompanied by Dave Swarbrick on fiddle and
mandolin on about half the cuts - the fiddle playing on Jack Orion
is simply ecstatic. This album marked the first appearance of contemporary
songs in Martin's recordings - Sidney Carter's powerful Lord Of the
Dance and Leon Rosselson's grim Brass Band Music. This album
also includes a version of one of the bloodiest of all murder ballads - Long
Lankin - it's like something out of a horror movie - "There's
blood in the kitchen/ There's blood in the hall/ There's blood in the
bower where my lady did fall"! Other songs include Ship In
Distress/ Matt Hyland/ Poor Murdered Woman/ Streets Of Forbes, etc.
Not to be missed! (FS)
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| MARTIN
CARTHY & DAVE SWARBRICK |
Topic TSCD 344 |
Prince Heathen |
● CD $15.98 |
11 tracks, 45 mins, essential Another Carthy/ Swarbrick
classic now on CD. This 1969 album was the last collaboration by the duo
prior to their recent reunion and is possibly their best. It is a superb
album in every respect and is highlighted by a stunning version of the
grisly title ballad. It also features another long murder ballad - Little
Musgrave and Lady Barnard. There is a beautiful version of Polly On
The Shore plus Arthur McBride And The Sergeant/ Died For Love/
Reynardine/ The Wren, etc. Not to be missed! (FS)
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| SHIRLEY COLLINS |
Fledg'ling 3023 |
Adieu To Old England |
● CD $15.98 |
15 tracks, mins, highly recommended. Another superb Shirley
Collins Topic album reissued on CD. This one is from 1974 and, in addition
to cuts accompanied by the spine chilling sound of sister Dolly's flute
organ there are other accompaniments featuring members of the Etchingham
Steam Band and The Albion Band in varying combinations - Terry Potter/
mouth organ, John Watcham/ concertina, Bill Molan/ melodeon, vocals &
percussion, Ian Holder/ accordian, Geoff Singleton/ fiddle & vocal,
Simon Nicol/ guitar and others. The songs are all English traditional and
often uncommon ones - Down By The Seaside/ Adieu To Old England (a
beautiful acapella performances)/ I Sing Of A Maiden That Is Makeless/
The Ram Of Derbish Town/ Horkstow Grange/ Spaniards Cry/ One Night As I
Lay On My Bed (Bob Stewart adds some beautiful plucked psaltery
playing to this one) / Coronation Jig, etc. (FS)
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| SHIRLEY COLLINS |
Topic TSCD 476 |
The Sweet Primeroses |
● CD $15.98 |
20 tracks, 63 minutes, highly recommended. Shirley Collins
is one of England's finest interpreters of English traditional song. Though
not a technically accomplished singer, her breathy vulnerable style brings
a convincing sincerity to everything she does. This CD features all of
Topic 170 originally issued in 1967 along with the four track E.P.
"Heroes In Love" from 1963. On a number of the songs she is
accompanied by her sister Dolly on portative organ which provides a
beautiful and haunting backdrop to Shirley's vocals, other tracks feature
Shirley accompanying herself on guitar or banjo and a few are
unaccompanied. A couple of cuts feature a chorus that were not allowed to
be identified on the original album though it is pretty obvious who they
were - the Young Tradition. Songs include some of the cornerstones of
English folk song such as as All Things Are Quite Silent/ Polly
Vaughan/ Streets Of Derry/ George Collins/ False True Love/ Spencer The
Rover/ Rambleaway and one of my all time favorites - The Sweet
Primroses - a lovely song under any circumstances but the combination
of Shirley's vocals and Dolly organ playing are mesmerizing and never
fails to send a shiver down my spine. Almost as good is the chilling Cruel
Mother where Shirley's limited banjo playing and the chorus lends the
song an eerie ambience. CD sound is excellent. Booklet includes original
introduction by A.L. Lloyd and notes on all the songs by Shirley. (FS)
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| LEE COLLINSON |
Fledg'ling 3003 |
Slip The Driver A Fiver |
● CD $16.98 |
10 tracks, 43 mins., recommended. Meet a new face on the
British folk scene who attacks his guitar a la Martin Simpson. He burns
through high-octane numbers like Never Been to Texas and Me and
Billy the Kid backed by a sleek band featuring Christine Collister on
harmonies behind his youthful, unmannered tenor. Lee has a taste for
highly melodic songs. Those most likely to get stuck in your head from
this CD may be David Whiffen's Driving Wheel and Terry Allen's Beautiful
Waitress, though Lee snaps and slides his way through all with equal
confidence. Lord Mayor's March has an early Jansch tang about it.
But overall, Lee's playing will remind you of Martin Simpson's, and he's
one of the rare players who can stand up to the comparison at all. But his
voice is his own and the British scene is richer for it. (DC)
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| CHRISTINE COLLISTER |
Green Linnet GLCD 3106 |
Live! |
● CD $14.98 |
15 tracks, 59 mins., good. Taken from a live concert in the
Isle of Man in May 1994, Christine blasts her way through 14 songs and an
encore with the help of Rory McFarlane on bass and vocal harmonies and
Howard Lees on guitar and vocal harmonies. Christine is so cranked up
throughout this set it's a little unnerving, though with her choice of
material it's hard to do it any other way. Opening with Rickie Lee Jones' Last
Chance Texaco, she covers T-Bone Burnett's The Bird That I Held in
My Hand, kd lang's Outside Myself, and Randy Newman's Guilty
with torchy conviction. Her one original in the set, Starting All Over
is a rare moment of controlled passion. For the rest, this songer gives
everything to every song, finishing up with a bow to Bonnie Raitt on Love
Me Like a Man. (DC)
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| THE COPPER FAMILY |
Topic TSCD 534 |
Come Write Me Down - The Early Recordings |
● CD $19.98 |
28 tracks, essential
The Copper Family of Rottingdean on the
Sussex coast have maintained a tradition of harmony singing for something
like 200 years and have been incredibly influential on the English folk
scene. Their style of harmony singing was to inspire groups like The
Watersons, Young Tradition, Swan Arcade and others and the versions of the
songs they preserved have become staples of the folk movement throughout the
world - Spencer The Rover/ Thousands Or More/ Banks Of Sweet Primeroses/
Shepherd Of The Down/ Sportsmen Arouse/ Hard Times Of Old England/ Claudy
Banks/ Adieu, Sweet Lovely Nancy and others - many of them dealing with
rural life in England. The first recordings of the Coppers were made around
1950 and the recordings here were made between the early 50s and early 60s
and features brothers Jim & John, Jim's son Bob and John's son Ron. They
perform in various groupings as well as an occasional solo and the results
are beautifully moving and compelling. The CD is accompanied by two booklets
- a 60 page booklet with details of the life, times and music of the Coppers
and a 36 page booklet with a detailed discussion of the recordings on the CD
- each illustrated with vintage photos. Now in his late 80s Bob Copper
continues to lead members of his family in continuing the tradition of the
Copper Family. This is music that is both beautiful and important. (FS)
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